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supported by 17 fans who also own “Hlín”
This might be my favourite of Heilung. They've improved a bit on their later releases but their debut is still much meaner, and darker. Maria's amazing voice obviously steals the show but I also quite like Kai's too, especially on the live performance. In fact I'd say get LIFA over this IMO. The spoken word bits are really cool to hear proto-germanic in use but for relistening purposes they are going to be a bit obtrusive. Nevertheless the proper music here is on continual repeat for me.
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supported by 13 fans who also own “Hlín”
i like this version better than the original. The middle part has that aggression that makes the excellent balance with the beginning and ending of the song.
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The haunting new record from Canadian folk artist Avi C. Engel bridges old and new traditions with a minimalist approach.
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Sanguine but uplifting, the Toronto singer-songwriter's "transfigured" folk songs ponder existential themes with grace and wonder.
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Their Invisible Hands
by Avi C. Engel
A dreamy improv-folk collage from Toronto multi-instrumentalist Clara Engel, who plays cigar box guitar, talharpa, melodica, and many more.
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supported by 12 fans who also own “Hlín”
Very calm, soothing, yet strong and evocative melodies. Great introduction into the world of Forndom and a true, even if a bit short, escape from the world of men.
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